Gay iron man

*Spoilers Galore* Why do I ship Captain America And Iron Man?

Well, in this case the hets might be forgiven. It’s actually hard to follow one event (such as Civil War) across all the titles with which the event crosses over and the events are visibly tagged on the confront of the comic.

Finding the non-hetero-romance moments is difficult even with the internet around to help. And a casual reader who also isn’t queer growing up in an environment where queer coding is hidden? Almost impossible to see, I’d think, unless someone had mentioned it to you or you were queer and seeking representatives.

There not only weren’t scenes like this in every comic. There may have been one scene every few story arcs (which usually encompass 3-6 issue) IF a queer reader was successful and reading the right subs.

It helps to understand that comics were favor the film industry and working under the tremendous burden of the CCA (a stamp that supposedly ensured parents that comics were kid friendly, but unlike with the film industry most parents never seemed to check for stamp.. I don’t ponder my parents even

Before Eternals, Marvel Studios Already Had an LGBT Couple on Screen

One of the biggest qualms many had with the Marvel Cinematic Universe was the lack of LGBT representation in the past. It felt like Marvel Studios was just trying to tick diversity boxes, especially after cutting Valkyrie's bisexual scenes from Thor: Ragnarok and also just having Tom Hiddleston's Loki mention he had relationships with men and women rather than showing at least one. However, there has been progress made recently with America Chavez having two moms on-screen and, most of all, Phastos and his husband, Ben. The latter got decent screen time in Eternals, even sharing a kiss with his husband before he left to help his colleagues stop the verb of the Celestial, Tiamut, all in the specify of family. But it's worth noting that the MCU actually had an LGBT couple before, and it was all connected to the Iron Male realm.

This revolves around Sam Rockwell's Justin Hammer, the villain from 2010'sIron Male 2. The sinister arms dealer feuded with Tony Stark, using Whiplash as a pawn, but h

Proof that Tony Stark is bisexual in the MCU

It is known that 616 Tony is bisexual. If you didn’t know – here’s the page from “Tony Stark: Iron Dude (2018) #4”.

But is MCU Tony also bisexual? Let’s find out.

The Avengers:

0:43:10 - seems that Tony watched Rogers' movements at the end of his struggle with Loki and liked what he saw.

1:10:08 - “Back off”.

2:08:30 – Sleeping Beauty.

Age of Ultron:

1:52:35 – Rhodey and Tony being a “couple”.

2:10:30 – Nat’s remark.

Civil War:

0:59:50 – huh?

Infinity War:

0:14:35 - Tony didn't know that was Levi.

0:17:08 – Tony noticed Strange’s hair moving.

0:19:15 - Strange's flirting and Tony's reaction.

1:18:50 – Tony and Strange are gazing into each other’s eyes and holding hands.

1:23:45 – again.

Endgame:

0:09:25 – Rogers’ face btw. Is he jealous here?

1:16:30 - Tony is staring at the America’s ass.

1:17:30 – Tony flicks Scott's butt.

1:20:00 – Tony is 100% okay with having a man inside him. Literally.

So what do we have?

  • He is comfortable

    Finding Radical Queer Pride in ‘Tetsuo: The Iron Man’ (1989)

    What if I told you Tetsuo: The Iron Man is one of the most evocative examples of “queer awakening” ever put on screen? Okay, that’s a tad hyperbolic, and such queer assertions about beloved media are often met with resistance, but in the case of Tetsuo, queerness isn’t just a supposition or mere subtext — it’s a hard-earned revelation. 

    That’s not to say Tetsuo is a coming-out story. At a film festival appearance in 2016, Director Shinya Tsukamoto expressed his motivation for making films around the time of Tetsuo as one of “exploring the link between cities and men and the relationship between society and humanity.” With Tetsuo, he emphasizes the dehumanizing impact of industrialized landscapes through the erotic fusion of metal and flesh. But the intimate scale of his production, limited cast, and use of settings largely in passing reveal a metamorphosis of a more personal sort through the shifting dynamics of its character relationships.

    The demoli